Why Friedrich is poor/ Little Women explained
One of the things that I come across over and over again as someone who studies Little Women, is that a lot of people don´t understand why Louisa May Alcott married Jo to a man who was poor. This question is followed by mentioning Laurie´s wealth. Even Little Women script writers have asked this, which always surprises me.
What if I would tell you that Louisa marrying Jo to a poor character who Jo loves and not to a rich character who she is not in love with is one of the most feminist aspects of Little Women.
Louisa May Alcott was born into New England´s transcendentalist movement. Transcendentalism was religious philosophical movement that was based on German philosophy. One of the main thesis of the transcendentalism was the importance of self-reliance. A belief that a person should be able to take care of themselves and others. Rooted to the idea that no matter the circumstances you were born into, you can still make something of yourself. Leave a mark to this world.
One of Louisa´s favorite writers was the German poet Goethe. Goethe was born into great wealth, which eventually led him to a quest to find himself. In away being born as a rich man caused emptiness. Some readers might notice that this is down to a T, Laurie´s character arc in the book, but it has never been adapted.
Goethe finds writing to be his calling and he recommends work as the best remedy for the broken heart. In Little Women when Laurie is in Vienna after he has been rejected by Jo and has been lectured by Amy, he is writing an opera which would ”horrow Jo´s soul and melt her heart” but he just keeps seeing Jo in her most unflattering ways and Jo is replaced by a beautiful ghost that looks like Amy and Laurie sees himself as a romantic prince.
He is flirting with this ghost for a while but then he stops and for the first time in his life Laurie realizes that what he is doing is silly, and he remembers Amy´s words. She took his hand and said that it was white and soft as a woman, and had never done any real work. Only picked flowers for ladies and wore Jouvin´s best gloves.
As a result of this Laurie goes to work for his grandfather. Laurie´s character arc in Little Women is not about Amy or Jo. Laurie´s character arc is about how Laurie becomes a man. In Louisa May Alcott´s world the only acceptable wealthy people are the philanthropists. Marches are friends with older Mr Lawrence not because he is rich but because he uses his wealth to do good. Laurie gets his redemption arc because Amy gets him to support his philanthropist projects.
Self reliance was a big part of Goethe´s philosophy but if we go back into the history of Germany and many other European countries that were protestant, and this is a big part of American history as well, one part of spirituality was the idea that work is beautified by faith and that work, even the most mundane work has a higher meaning. We live in a very secular world but understanding the Christian aspect of the novel can make it easier to understand it.
Transcendentalism has a mixed reputation these days. Unfortunately a lot of that has been spread by the Little Women film makers, who say it is preachy and anti-feminist. It is very ironic because the transcendentalists were an important part of the first wave of feminism because they believed that women had the right to work. Louisa, her sisters May, Anna and Lizzie, they were all working girls, Louisa´s mother Abba was one of the first American social workers.
In Little Women the Marchs´s they used to be on a higher place in the society. In the novel aunt March is the sister of Jo´s father and her husband died and they had a child together, and she died as well. That would make any person bitter. So aunt March is wealthy but she is not happy.
Jo describes uncle March being one of her favorite people. He was kind and he liked to play with kids and that he had a great library. Uncle March actually sounds a lot like Friedrich.
Why did Greta Gerwig decided that it was a great idea to make aunt March a rich spinster who never wanted to marry (where did she get the money, film doesn´t explain that, who is she related to?) Reminds my what Little Women fan- Melodie Ellison said ”Greta Gerwig decided to put herself above everyone else, Louisa May Alcott included".
The Marches they used to have more money but when their father allowed a black child to enter his school , he lost his position and that is when the Marches became poor. In reality the Alcott´s were poorer than the Marches.
Jo is never romantically interested about Laurie in the novel, and in part 2 Jo is actually criticizing Laurie because he doesn´t take his education seriously,and this is a big deal for Jo because she would like to study and go to university. When Jo returns after an eventful year in New York and Laurie proposes her, she sees that he is still not at all interested to find a job. He basically tells her (Jo) to be the one who tells him what to do with his life. It is not Jo´s job to raise him.
One of the re-occurring themes in Little Women is that Laurie is constantly unaware that he is privileged. One example is chapter ”Laurie makes mischief and Jo makes peace” where he is 15 and was pretending to be his tutor John Brooke and send Meg letters in his name.
There was already a rumour going on that Meg and Laurie were an item, and that Marmee was trying to marry Meg to Laurie. This started in the chapter ”Meg goes to vanity fair”. Of course Marmee hated this rumor and so did Meg, but Laurie seemed to be completely unaware of this and that he nearly ruined Meg´s reputations and his tutors reputation.
There are lot of this type of instances in Little Women. In part 2 Laurie is often questioned for buying nice clothes and then he gives worthless gifts to his friends.
Friedrich and Jo are on the same social level, they are both poor and they what it is like to be poor. Jo´s family were not rich, but they were living quite comfortably before. Friedrich had the same experience. In Berlin he was a respected professor. He would get his monthly paycheck. He lived alone so his expenses were less. Then his sister got ill. He moved to New York to take care of her. She died and he adopted his nephews. Now he can only find a job as a language tutor.
What Jo falls in love with in Friedrich is that he is self-reliant and hardworking and that he supports Jo and her desire to work and make her own money. In the chapter friend which is terribly adapted in most adaptations, Friedrich sees that Jo is struggling to write for Weekly Volcano. The stories that she was asked to write forced her to look material that caused her depression and anxiety.
One of the methods that the transcendentalists used as a method to ”transcend” was that they ”scanned” themselves. They would look at the situation from multiple different angles and see if there was something that needed to be changed. Louisa did this all her life. In Little Women Amy, Jo, Laurie and Friedrich they all have these moments of clarity.
When Friedrich tells Jo that the sensational stories can corrupt person´s mind, Jo agrees with him because these sensational stories have been already corrupting her mind. Louisa did the same as Jo, she wrote sensational stories and then she had a moment of clarity. We could compare this to a person who is working for a company. Payment is small, they get not appreciation and they are asked to produce content that goes against their own values.
Friedrich helps Jo to see all that and by doing that she gets her self worth back. Her writing also improves because after this Friedrich gives Jo a set of Shakespeare´s novels and Jo begins to search her own literal style.
The Amazing thing is that Jo does exactly the same to Friedrich. Fritz is described to be very friendly, extroverted person but the narrator also mentions that he feels quite isolated. He is not in a place in his life where he would like to be. He is in a job that doesn´t give him professional satisfaction. The narrator (Louisa) mentions that he dreams about falling in love and starting a family. He loves his nephews but he is also painfully aware that it would be difficult to find a person who would accept the boys to their life as well. Louisa also points out that Friedrich has experienced discrimination for being German and that makes it difficult for him to find a job.
The best adaptation that shows this is Little Women musical. It even has a line where Friedrich tells Jo that ever since he started to fall for her his students told him that he is much happier and smiles all the time. In the novel it is the night before Jo is leaving. Fritz gets his moment of clarity ”Oh my god. I´m so in love with this woman. What should I do”.
The reason why Jo goes back home is not because they argue like in the films. It´s because Beth gets ill and Friedrich lost a sister. He knows what that is like. Jo does the same to Friedrich what he has done for her. She inspires him to take life by the balls. He starts to look for another job so he could provide both Jo and his nephews and when Jo accepts his proposal and they begin to turn Plumfield into a school Jo returns him his previous status as a professor and he simultaneously supports her career as a writer.
This is how Jo addressed her family about her plans: “Now, my dear people," continued Jo earnestly, "just understand that this isn't a new idea of mine, but a long cherished plan. Before my Fritz came, I used to think how, when I'd made my fortune, and no-one needed me at home, I'd hire a big house, and pick up some poor, forlorn little lads who hadn't any mothers, and take care of them, and make life jolly for them before it was too late. I see so many going to ruin for want of help at the right minute, I love so to do anything for them, I seem to feel their wants, and sympathize with their troubles, and oh, I should so like to be a mother to them! …I told my plan to Fritz once, and he said it was just what he would like, and agreed to try it when we got rich. Bless his dear heart, he's been doing it all his life – helping poor boys, I mean, not getting rich, that he'll never be. Money doesn't stay in his pocket long enough to lay up any. But now, thanks to my good old aunt, who loved me better than I ever deserved, I'm rich, at least I feel so, and we can live at Plumfield perfectly well, if we have a flourishing school. It's just the place for boys, the house is big, and the furniture strong and plain. There's plenty of room for dozens inside, and splendid grounds outside. They could help in the garden and orchard. Such work is healthy, isn't it, sir? Then Fritz could train and teach in his own way, and Father will help him. I can feed and nurse and pet and scold them, and Mother will be my stand-by. I've always longed for lots of boys, and never had enough, now I can fill the house full and revel in the little dears to my heart's content. Think what luxury – Plumfield my own, and a wilderness of boys to enjoy it with me."’
Philosopher Waldo Emerson was Louisa’s friend and neighbor; I will read you a quote from his book Self-Reliance: ‘What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness. It is the harder, because you will always find those who think they know what is your duty better than you know it. It is easy in the world to live after the world's opinion; it is easy in solitude to live after our own; but the great man is he who in the midst of the crowd keeps with perfect sweetness the independence of solitude.’
What Waldo is saying there is that trusting your own instincts is always the best path to take, and it is also the more difficult one, because there are always people who try to convince you to go against what you know is right.
Here is a quote from Louisa’s early novel The Lady and the Woman, where she discusses her ideas of marriage. Eligible Edward Windsor claims that the style of woman he most admires are those who ‘claim our protection and support, giving us in return affection and obedience, beautiful and tender creatures submissive to our will, confident in our judgment and lenient to our faults, to be cherished in sunshine and sheltered in storms.’
Kate Loring, a young woman of 24, with no pretensions to beauty, who has raised her four orphaned brothers, replies ‘You have given your idol a heart but no head; I would have her humble though self-reliant, gentle, man’s companion not his plaything, able and willing to face storms as well as sunshine, and to share life’s burdens as they come.’ Louisa was part of the women’s movement that developed into the first wave of feminism. Whilst the moving power of this movement was to encourage people to marry for love instead of money, most marriages of the time were because of financial reasons. In Little Woman Marmee says to the sisters that she would rather see them married to poor men and be happy than unhappily to rich men. All the marriages in Little Women, in one way or another, are wrapped around this idea that love is connected to self-reliance. It is a very Christian idea of marriage, the idea that you build something better together with your significant other. I usually try to avoid politics and religion in all of my podcasts, but because Louisa May Alcott was a Christian and it had a big impact on her work, this is one of the things where I make an exception.
When Louisa was in her early 20s, she considered marrying for money to help out her family; in Little Women this element is given to Amy, and a lot of people think that this makes Amy a social climber: I don’t think that was Louisa’s intention. In the book Amy considers marrying Fred Vaughan because she wants to lift her family away from poverty. She’s not thrilled about the idea; she sees it as her duty. Sometimes I wonder if the people who criticize Amy for marrying Laurie, who is rich but not as rich as Fred but still wealthy – would they be as quick to criticize Jo if she had married Laurie? The cause of the whole argument is the lack of Laurie’s character arc in the adaptations.
In the nineteenth century, despite the desire to work, women’s work areas were limited. There was some factory work, but often women would work as maids or governesses or tutors. Amy writes in her letters that if the artistic career doesn’t take off, one of the options is to come back home to Concord and work as an art teacher.
Both Jo and Amy had very similar ideas about wanting to become wealthy, for the wrong reasons. Marrying a rich man, and to support your family that way, seems almost too easy, but in the long run that kind of thing could ruin your life. Jo thought that writing sensational stories would be easy money, and almost cost her her mental health. Amy’s moment of clarity comes when Laurie reminds her that she should not sacrifice her own happiness, and that her family would definitely not support that kind of decision, and the truth is that Amy is reminded of her values and the way she was raised.
I have talked about Laddie Wisniewski who was one of the models for Laurie. Louisa met Laddie in Switzerland, when she was working there. It is still a bit unclear why he was there in the first place – maybe he was taking care of his health. According to Louisa, he had tuberculosis and she was nursing him; he was very flirtatious with Louisa, then he allegedly proposed to Louisa’s employer, [? 19.52 Anna Weld?], who did not react well, and Laddie was kicked out of the premises. Anna Weld was a very wealthy woman, which has led some Alcott scholars to speculate that Ladislas was after her money.
For the angry Laurie fans, who are listening to this, I think the part of Laurie chasing Jo is what comes from this encounter with Laddie Wisniewski, and the rest of it probably comes from Goethe, but continues after the publication of Little Women. Louisa’s publisher had sent a check to Laddie Wisniewski; Louisa and Ladislas had not met each other after they had met in Europe. Why was Louisa giving him money? These are all theories. Ladislas had got married, and he had children, and he needed the money to support them; Louisa loved kids, and she was happy to help. Second scenario: he was blackmailing money from Louisa, threatening to go to the press and tell about their time together in Europe; Laddie was 10-11 years younger than Louisa, and that would have been quite a scandal. I don’t know which scenario is the truth, but I do know that Louisa’s sister May also knew Laddie and they had actually lived in Paris at the same time; but May wasn’t a huge fan of him, and it seems that Louisa got fed up with him as well. They described him as boring, and said that he never paid back his debts for money that Louisa gave him. Maybe May had also given him money that he never paid back.
Whilst the biggest crime that the adaptations do is to make it seem that Amy and Jo are always arguing over Laurie, in the book Jo never wants him, and Amy doesn’t want him either when he is being lazy and unproductive. In an article called ‘Happy Women’ which Louisa wrote about a year after Little Women was published, Louisa writes that accepting a false idea of love just because you are lonely is self-deceiving. Isn’t this what happens in Little Women? Jo considers Laurie’s proposal because she is lonely; perhaps the reason why Louisa rejected Laddie Wisniewski was because she was still in love with Henry Thoreau.
Henry, like all the Transcendentalists, believed in self-reliance; I think the best way to describe Henry’s relationship with money is that he was a minimalist; he also came from the working class – his father had a pencil factory where Henry worked from time to time. He was also a teacher and occasionally a gardener, a hunter and a naturalist – and a writer; and of course Henry was a Transcendentalist philosopher like Friedrich. In Little Women’s saga Henry is constantly present, specially in Little Men where Louisa describes his love for simplicity, when she writes about Friedrich’s love for the natural world.
In the 19th century some religious organizations considered the Transcendentalists heretic, because they almost had a pantheistic belief that Nature was the most perfect expression of God. One of my observant book-readers said that it really was based on someone who Louisa was in love with, and that explains why Louisa was frustrated by the fans who were demanding that she married Jo to Laurie.
Louisa never really liked Little Women; she considered it as one of her worst novels. I think the observant book-reader is right that Louisa wrote a lot about herself, and therefore the success of Little Women would create very conflicted feelings. I and my friend Emily talked about this in our ‘Laurie’ episode; in the 19th century Laurie was a super-popular character, and perhaps one part of that popularity was because he was wealthy. Every time that Louisa was asked about the real-life Laurie, she would always speak very highly about Laddie to the public; but then in her private letters she was not so happy with him.
So why is Friedrich poor? He is poor because he is Jo’s equal, and therefore they shared their similar views on self-reliance and can build their life together. This is what Louisa writes in the ‘Umbrella’ chapter; Friedrich says “I could not find the heart to take you from that so happy home until I could haf a prospect of one to gif you, after much time, perhaps, and hard work. How could I ask you to gif up so much for a poor old fellow, who has no fortune but a little learning?" "I'm glad you are poor. I couldn't bear a rich husband," said Jo decidedly, adding in a softer tone, "Don't fear poverty. I've known it long enough to lose my dread and be happy working for those I love, and don't call yourself old – forty is the prime of life. I couldn't help loving you if you were seventy!"
n Jo´s boys, which is the last little women book, Jo and Friedrich are making out, and he is seventy!
The book that was Louisa’s personal favorite was ‘Moods’, a story that she began to write when she was 17, and she revisited it several times during her life. If you want to read about Louisa’s love life and relationships, ‘Moods’ is pretty explicit, and Jo’s and Friedrich’s age difference in the book is 16 years, which is also Louisa and Henry’s age difference. When it comes to the adaptations, they don’t usually pay much attention to wealth and class; Laurie’s missing character arc is a prime example of that.
That Fritz is poor or not is often pretty vague – same with him being an immigrant, for example in Greta Gerwig’s film there was an earlier script where Friedrich was written to be German and Jo’s father gives a speech about the USA being built upon immigrants, which is true, but then in the final script, and then in the final film, Friedrich is vaguely European and the part about immigrants was turned into a joke. The only film where Friedrich is clearly poor is the 1994 film. Gabriel Byrne´s clothes; in the film they look really nice but they don’t look new. The 1978 series is the only adaptation which shows that Friedrich is applying for jobs after Jo has returned to Concord, and there is a scene where he gets the job and he is building courage to travel to Concord and tell about it to Jo. But the musical is probably the best when it shows that not only does Fritz has a good effect on Jo and her writing, but she has a positive effect on him and his life, in a wider sense.
I will read you a quote from Henry’s poem called ‘Friendship’:
When under kindred shape, like loves and hates
And a kindred nature,
Proclaim us to be mates,
Exposed to equal fates
And each may other help, and service do,
Drawing Love's bands more tight,
Service he ne'er shall rue
While one and one make two,
And two are one;
In such case only doth man fully prove
Fully as man can do,
What power there is in Love
His inmost soul to move
Based on Louisa´s diary markings from the time when she was in her early 20s, it would seem that one of her dreams was to start a school with Henry, where she would be the boys’ mother and he would be the teacher. Henry passed away in 1862; quite soon after that, Louisa registered to work as a nurse in the war; we can fairly say that these events are connected. The idea of school reappears in Little Women. One of Louisa’s friends, Elizabeth Powell and her husband, seem to have been models for Jo and Friedrich; like Jo and Fritz, they even had two sons together. Elizabeth also became one of the first female deans of a university.
Another model for Jo and Fritz were a couple who Louisa greatly admired, Eliza and Charles Follen. Now Charles Follen was a German immigrant; he was really good friends with Louisa’s uncle, Samuel May, and one of the early figures of Transcendentalism. Charles died in an accident, and Eliza wrote a book about him and their marriage. You don’t only see this couple’s influence on Little Women, but also in countless other Louisa May Alcott novels.
Louisa had the habit of inserting herself and people she knew into the books that she wrote. Charles was almost a legendary figure among the Transcendentalists; Louisa basically grew up hearing stories about him. Charles was a hardcore Abolitionist, a revolutionist educator, and he was from – you guessed it – Berlin. Charles was a political refugee. When I now read Little Women, a part of me believes that Friedrich was a political refugee who was fighting against the oppressors. May I tell you, Little Women fans who like to spend their time meditating on Friedrich’s character (like yours truly) are often interested in the different philosophical movements of the past.
I have a few friends who sometimes talk about Friedrich’s childhood and his past relationships before he met Jo. If we think about Henry Thoreau and then Charles Follen – I don’t know if they ever met, but Henry would have known about him because all Transcendentalists knew about Charles Follen. They were both intellectuals, but they both had a rebellious side and a very strong sense of social justice; both Amy and Jo grew up in a family where both parents were always happy to help the poor, and both sisters knew what it was like to be poor. Laurie can never be Jo’s partner because he doesn’t have the mental capacity to support her writing career; it doesn’t mean that Laurie is stupid – it’s just not something that he’s interested in or that he knows a lot about. He is not very grounded, so he can’t really run a school with Jo, but everything works out great for him as Amy is very grounded. When Jo sees him [Friedrich] for the first time, he’s helping this little servant girl, who is carrying a heavy bucket of coal. One of the better parts of the 2017 series is the line where Fritz says that it pains his heart to see a child suffer. Beside their love of books and Goethe and philosophy, Jo and Friedrich also share similar views on anti-slavery and child labor, and also on education, and when we think about all these people who Louisa inserted into Jo’s and Friedrich’s characters – Charles, Eliza, Henry, Louisa herself – they are all connected by this level of rebellion-ism and their refusal to conform to the regulations of society. How amazing is that! Thank you for listening.
Transcripted by Jill Goulder.
The Laurie Problem
Hello friends and welcome to Small Umbrella In The Rain. A podcast series on all things Louisa May Alcott and Little Women. This is a special episode. A collaboration between me and booktuber Emiloid. Emily and I discovered that we had lots of similar opinions and thoughts about Little Women and our first conversation actually lasted four hours!
This episode has been heavily edited :) and we had so much fun that we are probably going to do more collaborations in the future. I hope you guys enjoy this. This is Small Umbrella In The Rain: The Laurie Problem.
Emily: Hello I am Emily. I am also known as Emiloid. I run a booktube channel by the same name and I am also a big fan of Little Women the novel and also a great fan of discussing the adaptations as well.
Niina: I am Niina. Hello everyone and I am a blogger on YouTube and I have a channel called Small Umbrella In The Rain. I do gender studies on Little Women and been lately focusing mostly on the male characters.
Emily: Also I am relatively well-known for my channel for a review I did on the newest Little Women adaptation.
Niina: Which was a really good review.
Emily: To say the least. Openly critical of the film and Niina reach out to me because we have lot of the same perspectives on the book and the films. I am very honored. I am really flattered that you asked me because I had literally found your blog when I was preparing for my video.
Niina: So nice because it was a really big surprise for me how many people reached out after I published it. You always learn new things when people reach out to you like that. They share their views and it´s been a pleasure.
Emily: Yeah. I had lots of people reaching out to me ”wow I am so grateful that you have reflected my views on this film” and it feels like they finally got presented. Before I even knew you I remember thinking about your blog post like, ”wow this person agrees with me” because you really love professor Bhaer and this film did not have professor Bhaer in it, pretty much. You know, they didn´t have our professor Bhaer in it.
Niina: Yeah, where is our professor Bhaer?
Emily: Yeah, where is this beautiful relationship?
Emily: Today you wanted to discuss Laurie.
Niina: Among other things, yes.
Emily: Yes, among other things.
Emily: So we are going to do one video on this channel. On Niina´s channel and then one video on my channel, where we will be discussing Jo and professor Bhaer but you will probably find that our discussions will go on different directions.
Niina: Very likely.
Emily: We have lots of feelings about these adaptations and this book. Alright, how about we start out talking about the Laurie model. By the way I literally just watched the 2017 series last night.
Niina: oh you did?
Emily: I think I agree with a lot what you said about it. I like what they expanded but the ending is very rushed.
Niina: It is. I felt like the writer should have had four episodes to do it properly.
Emily: Yeah. Somehow they managed to expand on some things but somehow the ending was just really rushed. I was so surprised at the end.
Niina: Yeah and it did not build enough for the two couples. That really bothered me.
Emily: They didn´t really thought through the whole process for Jo and professor Bhaer and suddenly the school is established and they don´t build up on that. It was a bit weird. You sent me a bunch of articles and blog posts about this subject and you clearly had done very deep dive into his character.
Niina: I think my biggest problem with all Laurie´s presentations in the films is that it never follows the book´s narrative. This is something that really reflects to the way people read Little Women. I find it very problematic to say the least.
Emily: I know I remember you said that basically Laurie has to go through a whole growth process in the book, I guess we should preface it by saying that lot of the adaptations idealize him. What you said in your blog post. He is kind of this young, pretty guy who is in love with Jo. We are supposed to feel bad for him but what the adaptations leave out is how immature he really is and actually how horrible he is sometimes.
Niina: One of my blog readers. She wrote a very eye -opening review about Little Women how Jo and Laurie, the ideas that they feed to each others, they actually end up harming each others on a long run and that is something that people constantly ignore.
Emily: Yes! I think a big example is, remember when Laurie was like ”Ah I don´t want to go to university and Jo is like just run away you don´t have to go to the uni and Meg is like ”No, don´t tell Laurie, not to go to uni. No, you need to do it”. At that point I was like wow these two are not good influence on each other at all.
Niina: Laurie was that kind of character that he always did what he was told to do. He always wants to do what he is told not to do and he has this constant inner conflict because of it.
Emily: That is true. He kinda reminds me of bit of me, I don´t think he really appreciated lot of the priviledge he had at the start because he is like ”I don´t like uni” because he is sort of expected to fit into a certain mold in the society what he doesn´t really properly appreciate. He was just sort of a party boy in college and messes around and everything. He doesn´t really know how to be a productive member of society. He doesn´t really understand what that means.
Niina: When Jo gets older, it really starts to bother her. That he doesn´t take responsibility of himself. She is like a little mother for him. She is always taking care of him and it is quite sad the way Jo feels bad that he has all these priviledges that she doesn´t have.
Emily: He kinda represents lot of the things that she can´t have but he really takes for granted. I think you might have pointed this out in your blog post but Jo is very much taking care of him because he is really looking for a mother. He really kind of falls in love with her, or he thinks, because he is really looking for this character who is going to nanny him.
Niina: People forget that Laurie is an orphan. He doesn´t really have a stable parental figure until Jo arrives.
Emily: Yeah and he is always envying that really idyllic view of the March family. All the sisters and their relationship with Marmee and Marmee essentially becomes his secondary mother in away. I think you also pointed out, despite of craving this maternal figure in his life, he and Jo like to make fun of very feminine girls. They have really mutually negative reforcing views on femininity and masculinity as well. I was surprised when I re-read the book and I was like wow! Laurie was actually ...am I allowed to swear on your channel?
Niina: Go ahead.
Emily: He is a fuckboy.
Emily: Yeah he is really a fuckboy but then he turns around and talked bad about these girls to Jo and I am like Wow, this is exactly the kind of guy I would have tried to avoid back in uni. He is quite misogynistic. I wonder what you think because you pointed out that Jo is dissappointed with Laurie but I think also Amy is as well. I think Amy even if she doesn´t have the same kind of relationship with Laurie also really steps in and is the one to say ”Hey, you are really not being productive person and you are really idle” and she taps his hand. She is like, your hands, they have never done days work and I´m wondering if you could talk about your view on Jo and why Jo is kind of his mother but isn´t able to build that kind of relationship with him that Amy is somehow able to come out. Give him the same kind of talk but then isn´t really his mother and is actually able to get through him.
Niina: There is a theory that Amy already had a crush on Laurie when she was 12. When I read the book like that it makes sense because there is the scene where Laurie goes to cheer her up when she is staying at aunt March and all that.
Niina: I always liked that chapter but when I read Little Women last time what I noticed is that Laurie always behaves a lot better with Amy than he does with Meg or with Jo. With Meg or with Jo he always seems to have this idea that he is somehow above them but that doesn´t really happen with Amy. It´s really interesting.
Emily: Do you think it is because they are both younger siblings of Jo and Meg and they kind of are able to reach some sort of equal footing that way?
Niina: They are all just very different people. There is that chapter where Laurie forges letters in John´s name and then he is catfishing Meg and then Jo wants Meg and Laurie to get together. To keep Laurie in the family. She doesn´t really see how harmful that is to Meg´s reputation and Laurie doesn´t see any kind of harmful elements in his actions.
Emily: He is just kind of making fun but it really is a mean joke to play at somebody. Especially when one of them involves his teacher, who he really does not appreciate enough.
Niina: He really takes Mr Brooke for granted.
Emily: I think I read this on your blog and this really resonated with me. He is also quite toxic towards Jo especially when he wants to be in a relationship with her. He is saying ”I am going to kill myself” you know ”over you”.
Niina: There is lots of mental blackmailing and it´s quite hard to read sometimes.
Emily: Yeah it is. I think you quoted somebody who said, Laurie is a ”nice guy”, so called. He is one of those nice guys who expect to get what he wants because he is so nice to that person.
Niina: He doesn´t really see Jo as an actual person at that point. He wants to marry her because he is expected to marry someone. When there is that time period when he is in Vienna and he is trying to compose. It is like he doesn´t really care who he is going to marry or who is this romantic woman that he is composing these operas for. It doesn´t really matter at that point because he has this idea that this is what a man is supposed to be like.
Emily: I think he writes about how he has this phantom of a woman in his mind and it is not really vague. He is not really thinking about Jo´s characteristics or anything like that. He just have this sort of Goethean idea of a woman. What we know doesn´t resemble Jo at all.
Niina: It is this phantom princess who is waiting for a prince to arrive, from an opera or a ballet. It´s really not Jo March and it is really not Amy either but when he starts to have more deeper feelings for Amy, this phantom it starts to look more and more like Amy. It is one of those things that is never adapted in the adaptations.
Emily: I am surprised. You are absolutely correct. No one gives Laurie this arch. Nobody delves into his feelings about the March girls. People even cut out that kind of toxic behaviour that he has.
Niina: It is really weird. Very odd.
Emily: I am surprised. You know how these days we are talking about Twilight. Twilight is so toxic because Edward stalks Bella and is so possessive and I am just like, well you know, here is this nice guy who is very toxic towards the person he wants to be with and is no better. It really bugles my mind. That even a grown up reader could go back to this character and be like ”oh Laurie should have been with Jo” and I don´t know if you saw but I think they are even coming out a book called ”Jo and Laurie”.
Niina: Yeah, I heard about it. I am not going to read it. It´s going to make me angry.
Niina: I know better!
Emily: I don´t want to read it either. If you want to write fan fiction, fine, but I can´t believe people are actually publishing this stuff.
Niina: It´s ridicilous.
Emily: Buy this narrative that they should have been together. I really can´t believe it.
Niina: What it comes to Louisa, the whole premise of Little Women was to write a book for girls about how to marry someone who you can actually live with for the rest of your life and she really does this very well when you think about it because she especially crafted Friedrich´s character for Jo and then he is based on men who Louisa was in love with.
Emily: As we pointed out before, we don´t have lot´s of full characterizations of Laurie in the films. I am wondering, did you expect the 2019 film to do a better with his character?
Niina: I read very early interviews of Greta Gerwig who talked about the way Jo and Laurie has this relationship that is not romantic and that gave me hope but then I read the movie guide for the new film and then she goes back with it. I think she is a Jo and Laurie shipper. Which is why Laurie doesn´t have an arch. What I have seen in Little Women circles with lot of the people who I have talked with and interviewed for my articles, is that there are lot of people now who think that Laurie is very immature in that film and they are glad that Jo ended up with the professor. So it is some kind of improvement but he is still million times more idealized in that movie that he is in the book.
Emily: The really dreamy Timothee Chamalet.
Niina: He doesn´t have a character arch. They did very good job with Amy in that movie.
Emily: Yes, yes.
Niina: But it doesn´t work without Laurie´s arch. That is the problem.
Emily: That is very true. I was hoping to discuss this with you. Despite of my very critical review of the new film. I think they were doing okay with Amy and Laurie. For up until the Europe part because I think setting up their relationship is pretty good. I think I said before in my review. I didn´t like how they contrived that with Amy´s painting being the set up for that because I think that is actually a very awful scene that is supposed to be a scene or righteous anger and I didn´t like that it was made to be comical. I liked that they did some work on establishing their relationship before hand. I´d be okay with this and in Europe they have that discussion. Amy gives him a talk and then Amy also doesn´t want to play second to Jo. I was like okay, this was fine. But then you noticed how Laurie doesn´t have to do any work for Amy?
Niina: Yeah, that´s true.
Emily: I always found this to be very crucial part of their arch. Amy even encourages him to be a productive member of society but then he never does any of that. That aspect of their story is left hanging and just incomplete and then it´s back to Beth´s death to speed up their relationship instead of himactually putting work in, which really sat badly with me.
Niina: That is something that really bothered me in the film and that kind of reflected in Jo´s character because she was not given a character arch either.
Emily: She is not. I said in my review her arch is flat without professor Bhaer.
Niina: If we compare that to the 1994 film, Jo has a full arch there. That is the way it goes in the book.
Emily: Yes she does. Despite Laurie not having much of a characterization, maybe not much more in the 1994 film. I liked that they actually acknowledged that he went away to actually better himself before coming back to Amy.
Niina: It doesn´t really build up their relationship as much as the 2019 film but Laurie has some sort of arch in that movie.
Emily: Now that we are talking about 1994 film. I think you said in your blog post we don´t get a sense of his temper and how he would clash with Jo which is why we don´t always buy that they would kill each others.
Niina: That is the same with all adaptations. I mean, Louisa makes a really big effort in the book. She describes that Laurie has a temper and that he has these violent outbursts sometimes and Jo has them as well.
Emily: You get this sense that Laurie is butting heads with Jo, what he kind of is, but he also clashes with her in other ways but they never really represent that. I think in 1994 Christian Bale is really wonderful for the character that they wrote but I guess a lot of people have accused the film of making that relationship with Amy creepy. Underdeveloped maybe, but I never found it creepy particularly.
Niina: I think it´s because Amy is 12 in the first part and Laurie is 16 but it´s just a four years age different and they are not romantically together in that way but then people also say that Jo and Friedrich are creepy but Jo is 24 when they meet. I never saw that creepy.
Emily: They are both adults.
Niina: It was written in the 19th century. Most marriages were marriages with age gaps and Louisa had a thing for older guys.
Emily: Back then it was super common.
Niina: Yeah, for most people there was an age gap in the marriages or in relationships in general.
Emily: Because families generally wanted their daughters to marry established gentlemen. Who already had a living and generally it would take time for a guy to actually establish his career and when he did at that point he would marry somebody. So it is not shocking at all that you would have age gaps like that.
Niina: If you think about some of the recent films. For example the new Emma. In the original Jane Austen´s Emma, the Knightley and Emma age difference is 19 years. In the new film, Knightley´s actor is much younger looking. They do that now days. The male lead is hired to be a young looking guy, even if the actor is actually a bit older in reality.
Emily: It´s funny, you know in the 2019 film they did that with professor Bhaer. They were not going to do the proper arch anyway but they made him younger too.
Niina: The actor is actually 36 so his age is really close to the book Fritz but he looks much younger. It´s just Hollywood the way it does it but then if I think about Amy and Laurie in the 1994 film, I don´t think it´s creepy but if you think about how people could actually avoid that why can´t they actually hire a 16 year old guy to play Laurie but people are going to complain about everything, it doesn´t matter who we are going to cast to play Laurie.
Emily: In the 2019 film I felt that it had bit an issue with Florence Pugh looking older in all of her scenes, when Laurie just looked young in all of his scenes.
Niina: The actors they are the same age.
Emily: They are the same age. It´s just that, you could not quite buy Amy or Florence Pugh as a child and you could never buy Timothee Chamalet as an adult. Whatever their real-life age is. It just doesn´t work in the sense of that visual contrast. I mean people have pointed out to me that Christian Bale was only 20 when he played Laurie but he is able to transition from being an teen ager into an adult. Sometimes you know, even if the real age matches, that is the thing about casting, you need certain people to pass of different ages. It is weird because I haven´t seen the 1933 film but I noticed that both 1949 and 1994 don´t pay that much attention to Amy´s and Laurie´s arch. In fact I think 1949 less so. It is not even there.
Niina: No. There is this scene before Laurie goes to propose Jo and Amy is looking at Laurie with a sad expression on her face. I think that is the only scene with them together and then there is the end when they end up together. That is their arch. Laurie´s proposal is extremely romanticised in that film and it´s really romanticised in 1933 film and 1994 film. 2019 film did better but then it completely erased Friedrich´s character so it kind of sucks.
Emily: Laurie in the 1949 film. I recall his proposal being pretty angry and I think that was the only time we could ever really buy into his character having a temper.
Niina: It is the same in 1933 film. Laurie has bit of a temper in it but after that it is just really flat in the next adaptations.
Emily: I have watched the proposal scene in the 1933 film with Katherine Hepburn. At least he has that line ”I can´t believe you, you don´t know what you want”. Jo in 1949 was probably my least favorite. She never really handles scenes like that with much sensitivity. I don´t recall her being very in-depth about emotions in it with Laurie. My problems with 1949 film is that they had no balls to do lot of things. Amy´s caining, they come up right against it and back down from it, remember that. When she get´s her hand beaten for having limes. They have the teacher almost hit her hand and then he doesn´t do it.
Niina: I really like Elizabeth Taylor as Amy but the problem with that movie is that they make her the butt of the joke and I don´t like that because that is not something that the book does so it kind of brings out this Amy against Jo positioning again. It shouldn´t be there. It romanticises Laurie the same way as it does with Mr Bhaer´s character so it becomes Laurie versus Fritz and then Amy versus Jo and it´s just not the way the book goes. The book makes it very clear that Amy is really perfect for Laurie, and Fritz is perfect for Jo. I still haven´t seen an adaptation that does it the way the book does.
Emily: Yeah that´s true. I think they did professor Bhaer pretty well in 1949 film.
Niina: They actually build up that relationship pretty well.
Emily: I appreciated that.
Niina: He is Italian, but I´m going to over-look that.
Emily: We should probably save this for the professor Bhaer video.
Emily: I like it when the adaptations build up that relationship. I guess some people will argue and say. Oh you can´t really develop some of these scenes because or run-time. Because there isn´t really time for to do these things but I feel like there is not really an excuse sometimes. When you have the really incomplete archs for everybody. The 2019 film tried to do this with Meg´s arch, dealing with poverty in her marriage, but then they just kind of slapped on a happy ending on that and they were just like we are not going to explore it. We are not going to have any sort of conclusion.
Niina: It was left half-developed but I think that happens a lot with Meg´s character.
Emily: In the beginning I liked that they were trying to do something with her. They ended up not really properly deal with her in away that I would like. First of all Emma Watson, as we´ve discussed can´t carry on that kind of quiet strength that Meg has. When you bring something like a marital issue, a serious marital issue, I don´t think you should be like ”Oh I am just going to sell it! Get rid of the silk” you didn´t make the issue go away.
Niina: There was an older version of the script. One of the older versions where her melt-down was included but it wasn´t added into the movie and I heard that it was because of Emma Watson´s performance and that James Norton had to carry out many of the scenes. It goes back to the casting I guess.
Emily: We dicussed this before, casting Emma Watson was very much based on her other accomplishments other than acting. Because she plays the same character in every film she is in. I do admire her as an activist but I have not been impressed with her since Harry Potter. Having recently watched the 2017 film..mini-series. Did you think they did any better with Laurie´s arch or no? Because I dont´t think he really put in much work either. What did you think?
Niina: I think he was very idealized in that version once again. He is very melacholic character there. Laurie in the books, he can be very up-lifting and very funny sometimes.
Emily: Like I said, his interractions with Amy, they were able to build up that relationship a bit more. They acknowledged his musical side. Which is an improvement. I think they tried to get in some of his clashes with Jo. When their characters bummed up their heads sometimes. I think they do bit of that. When he ends up with Amy, when they come together. We don´t see Amy getting him to put his life in order. I feel again, that is such an important part of their story. That Amy is the one to get him to be a productive person.
Niina: Amy´s portrayal in that series it is really a villanization. It was once again putting Amy against Jo. For once they adapted my favorite chapter, which is Calls. She gets to go to Europe and Jo doesn´t get to go to Europe because Jo is actually really rude towards aunt March.
Niina. In that particular version it was framed that we should admire Jo for being rude to aunt March and Jo is like a feminist hero because of that and then Amy actually is quite happy that Jo doesn´t get to go. Then in the book it is the opposite. Amy is really horrified by Jo´s actions and she feels ashamed by it. It is not something that she is secretly glad about and when she finds out that she is chosen and Jo is not chosen. She is really sad for Jo. She really feels bad for her. I think 2019 film had that part done much better.
Emily: Jo and Amy rivalry, the problems I had with 2017 I had similar issues with 2019 where I felt like Amy and Jo were somehow in competition over Laurie, which I don´t like that dynamic.
Niina: That doesn´t happen in the book because Jo never wants to be with Laurie romantically. She is very clear about it since the beginning.
Emily: Yeah, the only reason she would ever consider accepting Laurie is if Laurie accepted again and that´s because she was lonely and that was really the only reason. I think in 2017 when I saw Jo is like ”oh she is engaged to Laurie what! And I was like ”No” they are not supposed to be in competition over this guy. That is not how it works.
Niina: It really has to do a lot with the script writer and how they feel about the characters because I read interview from Heidi Thomas who wrote that show and she was not a big fan of Amy. So you can really see how that reflects in the film. Jo doesn´t really have an arch and Amy doesn´t really have an arch. It´s all just a mess.
Emily: I did feel some of the weaknesses in the writing. I don´t know if it is the issue with that actress who plays Jo but sometimes she can´t always pass off Jo´s lines in a belieavable way. I liked other aspects of that series. The civil war. They included a lot of elements of that which I appreciated. There is a lot more of Marmee and their father.
Niina: That was something that I really liked about it and they developed their characters a bit more and it was a new take so it was refreshing.
Emily: I am always a fan of a strong Marmee because Marmee has to deal with so much. She has to mother the four girls. She is kind of a secondary mother to Laurie. She has to give him adressing down at some point and she has to run a household that is financially struggling. So you need a very subtantial Marmee and I love what they did with her in that mini-series. That´s an issue I had with 2019 film. She is so overly happy about everything.
Niina: It was a bit strange and they didn´t really put that much effort to show the struggles that were going on. In the opening of the film I think there was a quote from Louisa ”I write happy stories because of my stragic life” or something like that. You don´t really see any of that stragic life there. That was something that bothered me because you see that in Little Women, the book itself.
Emily: I know, the whole point of Little Women is about people getting over their struggles and to find the happiness despite the unhappiness. That is why I don´t like the framing device of the 2019 film. ”Oh well the childhood was so simple and warm and happy and now this dark time and adulthood is so complicated” I am just like ”No, it wasn´t never that happy even when they were kids. They were poor and they had to struggle. They had to work very hard from a young age. It was not that simple. It is very pessimistic too because the whole point is that you are supposed to build up into adulthood and you know find your happiness there as well. That thematic bent on it I did not agree with it at all.
Niina: What it comes to Amy´s character and her relationship with Laurie, the dilemma against Amy´s character is that some people say she is really vain, or that she marries for money, but then if you actually read the book, she says that she want´s to marry...what was the name of the rich guy she was dating?
Emily: Fred Vaughn
Niina: Fred Vaughn! Because she wants to provide a good life for her family. So she is thinking it is some kind of a sacrifice that she must make. That she is not going to marry for love but marry for convenience.
Emily: I don´t think she loves the idea of marrying for money. She always has her family in mind. I think the book burning incident sends lot of people against Amy and I think that incident always makes Amy seem like an anti-Jo in away but she is also a kid at that point. Later on we are supposed to see her become this really mature person and eventually is able to set the guy she marries stray, so she does marry for love and it works out very well for her. She is incredibly mature character. She has a sense of social graces. She actually genuenly cares about Jo.
Niina: Yes, she does.
Emily: 2019 film really keeps setting up Amy and Jo even with their artistic pursues. Did you notice that? Amy being like ”I am always in the shadow of Jo” implying that even artistically she is in competition with her.
Niina: If you read the first part of Little Women before the whole book burning accident Jo is really making fun of Amy constantly and she is bullying her. There is a whole episode how she is being a mean big sister. It is pretty normal what it comes to siblings that you fight with them. Especially when you are younger and they both have high tempers. It is when Amy wants to become a lady. She starts to work on her flaws. She starts to control herself. She sees that she can be better and then the whole premise of Little Women is that all the sisters they want to improve themselves somehow. With Jo her biggest issue is her anger and she is very aware of that and Amy thinks that it is her vanity that is the problem. If you actually read the book. She is not really a vain person. It´s in her head.
Emily: The vanity is more about her desire to fit into the certain circles of society.
Niina: They are very poor family and Meg has the same problem, that she wants to fit into the society. To the world of the young girls. Then she thinks it is vain for her wanting to do that because she comes from a different social class but the Marches they used to be part of the higher social class and they fell down. Meg is the one who still remembers what it was like.
Emily: It really hits harder for her because she remembers the days when her family was still living comfortably.
Niina: It is not wrong for her for wanting to be that again but she makes it a big deal for herself and that is quite sad but I think it also has lot to do with 19th century Christian morals and all that. We can´t really fully understand that because we live in 2020.
Emily: It is hard for us now to really identify with that Christian perspective that novel really has because when I read it this time around ”wow there is a lot of Christianity in this book”. They structured their entire lives around these ideals. Of course I can understand why they would now try to tone it down in the adaptations but I am not really fan of how they totally wash that out because that played such a big part in how they viewed their labour in life.
Niina: It also explains lot of the things that people struggle now days to understand in Little Women. I think it would be important to talk about it more.
Emily: I think so. I think that the Christianity, transcendentalism aspect of the story is very important and I liked that the 1994 film actually acknowledged that intellectual circle that they were part of.
Niina: That´s one of my favorite things about that film.
Emily: They got lots of nice historical, context in that film. The philosophical discussion I love it. But definitely Christianity it´s such a huge thing and why Little Women is also such fundamentally American novel is that ideal. You work hard and things will be okay.
Niina: That´s very important part of American literature in general.
Emily: You can really understand our current ideals about personal responsibility, personal development, when you really dwelve into this book and it plays out with all the characters. About being able to grow up and become productive and give back. I think, you know, people are always so upset about Jo not becoming a famous writer. You know she finds joy in being productive.
Niina: She does become a famous writer but people just don´t read the sequels.
Niina: She is very famous in Jo´s Boys. She is so famous she is really annoyed by her fame. When do we get Jo´s boys adapted?
Emily: I confess to not reading Jo´s Boys but I have read summaries of the book and people are like ”oh she doesn´t become famous” and I´m like, she does become famous in Jo´s boys.
Niina: It took Louisa a long time to become a famous writer. It´s the same with Jo. It doesn´t happen in one night. It takes work.
Emily: It does! Art is work. Jo she had to go through a lot creative failures to get into that point. Art is hard. I know that to be true. I feel like we are heading into Jo discussion now.
Niina: Okay, back to Laurie.
Emily: Back to Laurie!
Niina: In the book when he is in Vienna, he really goes through that process of self-discovery, self growth and self understanding. I have this thing when I read Little Women I always get really frustrated by Laurie because I don´t understand his character, his actions and it is not until there is that chapter when he is in Vienna I start to understand who he actuall is. It´s really interesting and it happens after Amy´s lecture. She is the first one he actually listens and I think the difference between Amy and Jo is that Laurie took Jo for granted. He doesn´t take Amy for granted. I don´t think Laurie was even in love with Jo. He was in love with the idea of being in love. He was afraid to grow as a person so he was clinging on to Jo so that he doesn´t need to grow and so that he doesn´t need to take responsibility of his life. Amy actually tells Laurie the truth. This is the way it is and you need to do something about it. In away Amy´s character is similar to Friedrich, in that sense, Friedrich tells Jo the truth. This is the way it is. You can improve yourself or you can stay in the same level you have been. This is what is missing in the adaptations. That whole sequence of Laurie in Vienna and the way he actually decides to be useful for the society. Do a favor for himself. He is about 24 at that point. He has been living in a bubble for most of his life. Very privileged, young, aristocrat life. I just love that scene when Amy and Laurie are rowing the boat together and that has never been adapted either.
Emily: I feel like it is so important to his story because lots of young people could probably identify with that now. Lot of people come from that priviledged circle and they have these dreams that may take little bit longer to process. ”I am just going to be an artist” you know. ”I am just going to live this bohemian life” and then it´s like ”oh well I didn´t really contribute anything and these are all just fantasies. Naturally I am just going to get into work now”. It is funny in our culture because I don´t know if I am wrong but I feel that lot of us really want that ideal ”oh no be an artist, follow your dreams”. For some people it is only talk and what they really need to do is to get a job”
Niina: He doesn´t even really know how to be an artist. He hasn´t really done that work-in-process that it takes to get into that level that he wants to be.
Emily: He hasn´t worked on his art the same way as even Jo has because Jo gets that it is work.
Niina: It is the same with Amy, when she comes to the realisation that she is not going to be a great artist. She continues doing art but then at the same time she combines that with her other passions, like charity work and supporting young artists. She finds a different way to approach her passions.
Emily: I found a recent youtuber who reviewed the new film and they were almost like ”oh I didn´t like that in the book, that everyone is just married”
Niina: What a misunderstanding!
Emily: Not married in the exclusion of everything else. I mean sometimes it´s just a reality for people. Sometimes they can´t make it so sometimes they need to channel their passions in different ways. That is the reality of life. That is what Louisa May Alcott understood.
Niina: That is what I like about Little Women is that you can have it all. You can have a good career and you can have a relationship with a person that respects you. It´s such a win-win situation really.
Emily: I can not for the life of me undertand why people find that unsatisfactory. It is even a promise for people who don´t even feel like they could find someone that they could marry. Even if you would feel like couldn´t be with anyone. Then you can find somebody. It is something that I don´t think the 2019 film really understood. I think they really wanted to push that whole independent woman narrative and I just really don´t like what that film seems to misunderstand about that book. They at least did nice job with Amy and her speech about marriage being an economic proposition. That´s a pretty good scene actually. That´s a scene I didn´t hate.
Niina: In the 19th century marriage was an economical proposition. It was really interesting when I did my research on Louisa and especially on Friedrich´s character. She was part of the movement, where it became more important that love and romance was part of marriage and not just money. That is something that Louisa is promoting in all of her novels. That is something that people are not aware these days. We don´t like to bother ourselves with historical facts about the author but there is lots of misunderstandings about Louisa as a person that are reflected in the way we read Little Women. It´s been really interesting to do research about her.
Emily: She is a real feminist in lot of ways and I think people have these very contradictory ideas about her and I don´t know if it is because Little Women has been around so long that our interpretations are changeabale in lot of ways because we are like ”oh she was a feminist” I think they kind of understand that but then ”oh no but Louisa would have been on board with these other notions now, she didn´t really want marriage she forced her characters into it”. They want to force Little Women to conform into their own modern narrative when you really can not do that. That is the problem, in the adaptation if you do that.
Niina: This idea that Louisa was forced to marry her characters, it is really the opposite. She puts lots of effort to explain why these marriages work and why it should be this way. These character archs they are really beautifully crafted in the book and the way these characters the way they compliment each others and it is really the same in all of her novels. I have been reading quite many of Louisa´s novels recently and I always surprised the way she does that. It is something that she is really into.
Emily: Jo´s story really doesn´t work, I mean none of them really work essentially without their partnerships, not because they are nothing without their parterships but because being able to share a life with somebody, she saw that as being able to achieve harmony in your life. To be able to form your own circle, your own family.
Niina: In many ways that fits with the transcendentalist idea of romance. There is this quote from Louisa, well not a quote, but something she had highlighted from her favorite books, how the character evolves, person transcends with another person. She is very found of this idea.
Emily: That is a very Christian idea, to form an union with the person that you marry. It is not that you are not your own person, just that you build something better with another person, that is bigger that both of you.
Niina: I think that was something that was very radical idea in the 19th century and now days we take that for granted.
Emily: It is a real shame that so much of Little Women has been worked over time by our modernizing world. Like I said before, we seem to have the desire to form Little Women into our modern world, into our modern ideals when really we are just restoring the work.
Niina: It is difficult to understand Little Women if we don´t know the historical context of it.
Emily: That´s very true. I really admire adaptations that try to put the story into it´s historical context. I think that context is everything. You might have heard me criticising the costuming in the new film for instance they are like ”we are trying to make it sort of you know pseudo-modern and we are trying to make it relatable and we are trying to do this and that to make it more relabtable to the audience” and I´m just like ”are you saying that you need to strip away that context in order to make it relatable. Are you saying we can´t relate to Civil War? Or anything from that era? Is that what you are saying?” That seems very condescending.
Niina: It takes away from the story itself when we are being distracted by the modernism in away, or post-modernism in this case. Or the post-modern ideas which are not part of the story itself.
Emily: We touched a bit the Amy rivalry with Jo. You felt that they had kind of villanization of Amy in the 2017 show. They expanded her character a bit more in 2019. How do you feel about how they expanded Amy´s character and that rivalry? Because I think they really lean into it remember when Jo is flashing back to Amy falling in the lake and she burned the book and she is like ”oh Amy finds away to get out of easy situations, get out of hard situations” which took me backwards because it was like ”No, she was called to be with aunt March, she was travelling with aunt March. In that other situation I´d say, she was very ashamed of what she did and she almost died. I don´t understand where you are coming from one you say that she gets out of situations.
Niina: That is a very weird way to look at Amy. In the book, she feels humiliation. She really regrets the things that she does. Jo also regrets things that she has said to Amy. Jo also regrets some of her behavior patterns. But I think that the 2019 film did okay in that sense it showed that Jo and Amy were sides of the same coin. They are very similar and when they realize that they are actually very similar they become much closer. That is an improvement what it comes to Jo and Amy and understanding their relationship. One of the biggest problems in all the adaptations is really idealizing Jo a lot and not really see her as a full character. Really as a human being who actually does regret sometimes the things that she says. Things that she does.
Emily: She is very flawed.
Niina: Yeah, she is very aware that she is flawed. We live in this culture where we are suppose to idealise people who are adamant and don´t want to change or are rude or aggresive. That´s just not the way Little Women is written to be. Jo sees that her actions are harming other people and that is one of the reasons why she doesn´t want to be with Laurie, or hang out with him on the second part because she sees that they are feeding each others with these toxic ideas.
Emily: I don´t know how much young adult fiction you read but it is a common trend to have this female protagonist, you even see that in Star Wars where we have this female character who can do no wrong. Is very spunky and we are suppose to admire that. I think our culture has become a bit adversed to what we are trying to get of from Little Women. Jo is supposed to soften out. She is trying to not harm people with her behaviour and it is a good thing for her because she becomes more compassionate person. That is what becoming more tender means. That is how her father puts it. She has become more tender person because she is just more compassionate individual. That is also what happens with Amy as well. She also wants to be a productive person. She also gets to understand that all these things you get in life, you have to work for them as well.
Niina: Amy is very compassionate and she is very kind person. I really like that in the books. She cares about other people.
Emily: You noticed even when Fred Vaughn asked her to marry him, she is like ”it´s not fair for either of us”. She has to think herself and this other guy and, it wouldn´t be kind to either of them. I really respect her character a lot.
Niina: I think Amy was really the one in the family who really loved aunt March. They really ruined aunt March for me in the 2019 adaptation because she was way too kind in it. It is really who makes her a bit softer in the book. Meryl Streep is great don´t get me wrong but aunt March is a tough person to get along with.
Emily: She is a very tough lady. She is a very crusty lady because she has lived alone for a while. Her kid died. Her husband died. She has got a little bit bitter over the years. You can´t really blame her and Jo was like ”oh I am just so done with this gig, reading to this lady” Amy is the only one who is really able to properly connect to aunt March. Aunt March in her heart she loves these girls. She loves them all.
Niina: She does. She loves her nephew as well but she is not impressed by his way of being.
Emily: Sometimes when, she was like ”oh you made this really awful decision I can´t believe it” sometimes I feel that way about other people in my life ”oh I can´t believe you did that in your life what are you doing?”
Niina: She is quite relatable in the end.
Emily: Yeah she is really relatable. I mean isn´t that what adulthood is eventually relating to aunt March.
Niina: The part of her loosing her child, I didn´t realise that until last time I read the book. Somehow it had slipped off. I had a talk about in Louisa May Alcott group in Facebook with some people and we were all thinking what was the back story of aunt March and this child and her husband.
Niina: That would make a really interesting story for someone to write. It seemed that they had a very loving relationship based to the book, it must have made her bitter to loose it.
Emily: Somebody write the aunt March book. She is that sort of person you need to come to her level and when you do, she´ll be nice to you. She will do things for you. Amy is really cabable of doing that. She doesn´t even take aunt Marches belongings. Aunt March gives her a turquoise ring. She is like ”I am not going to always wear it, it wasn´t just for the material possessions that I worked hard”. I think they wasted Meryl Streep in the 2019 film. They did not do enough of her at all. I think her job was to be like ”well you know as a woman you are supposed to marry well” and that was it for her character. There is lot more dimensionality I like that other adaptations add that on.
Niina: I love her in 1994 film. She is one of my favorite characters. Very much like in the book.
Emily: You have to have that kind of element of thoughness and also those nuances as well. I love Angela Landsbury as her in 2017 series.
Niina: She was very good.
Emily: She is very good.
Niina: I liked the way that version developed her relationship with Jo.
Emily: That final scene between the two of them.
Niina: It didn´t really do that well with Amy and aunt March because it didn´t do that well with Amy but there is always something that seems to be missing.
Emily: Little Women, it is so hard to adapt, so hard to get all these elements.
Niina: There are elements that I like in all adaptations and there are things that I don´t like in all the adaptations.
Emily: That is true. I am so critical about the 2019 film and there are things that I like in it, refering to comments on my video ”why did you hate it? Why did you say that?” ”well I did like this aspect of the film like I didn´t like these ten other things”.
Niina: We are talking about a book that was written 150 years ago. We are allowed to be critical about the adaptations and we are allowed to talk about the things that are missing, like Laurie´s arch.
Emily: We should.
Niina: Things don´t move forward if we don´t talk about these things and the way we approach the book.
Emily: I think we should have these discussions. To some extend a lot of people are too afraid to talk about against the 2019 film because I got that sense from lot of my comments ”I didn´t like this all that much but I couldn´t really validate why I didn´t like it until I saw your video” and so many people were so up and arms against when I criticised it and I´m just like ”well if you are really that upset with me then go find these other people that talk other ways”. I even appreciate it when people talk about some aspect that in the 1994 film that don´t work as well which I also acknowledge. You are adapting 500+ page book there are things you are not going to get. I get that Amy and Laurie relationship isn´t that developed and I would have liked it if Meg would have had more screen time after she got married. I do appreciate those things.
Niina: Laurie is connected to all of this.
Emily: He is a side-character but he plays different roles to different people.
Niina: When I started to do my research on Laurie´s character specifically I began to understand him better when I started to pay more attention to the way he has this emotional turmoil because when I was younger I used to be very much the same. I wish that we would see that more in the adaptations because that is the part that is always missing and people misudnerstand it because they see that something romantic. We don´t see Laurie´s struggles. He is really a creep sometimes. If we would see that we wouldn´t have the TeamBhaer/TeamLaurie debate. Especially if you are hardcore TeamBhaer like you and I are, if you really like Amy as well and you actually have read the book many many many times. It just puzzles my mind how people can misunderstand the book so terribly.
Emily: I feel that even the fans of the book who have also read it many times still have this view on Laurie and these characters which still feels such a surface level interpretation of the book.
Niina: Feels like they haven´t really payed that much attention to what they have read. That´s all in the book and they still don´t seem to understand it. That was one of the reasons why I wanted to do an in-depth study on Laurie and Friedrich as well. It really surprised me that it was really difficult to find un-biased views on Laurie that weren´t about Jo or Amy but Laurie himself as a character, his actions and his behaviour.
Emily: In a sense we are no better, when people first read ”Young Werther” by Goethe. People looked at Werther and were like ”Oh my God, we should all die suicide for love and I think Goethe was ”No, don´t do that, this was not about that”.
Niina: Yeah, he was criticising himself and his own behaviour as a young person. For those of you who are new here. Louisa based Laurie´s character arch to young Werther which is Goethe´s novel from the 18th century Germany. Just a little sidenote and Friedrich is based on Goethe on one-level. We will get into that.
Emily: Yes. In the other video. I read Werther in German. It´s a lovely read but you also see some of the ridicilousness of that kind of romantic vision because he really relates to these big storms, these thunder storms. It signifies his emotional events and it really makes fun of that and people at the time didn´t get that and people also don´t seem to get that now.
Niina: It is very harmful when suicide is being romanticised in general or trying to blackmail someone for ”romantic” reasons that is really harmful and that is something that is still not recoginised fully enough.
Emily: Like I said before if we are criticising that behaviour in books now, in fiction that is coming out now, then why can´t we change the way that we see this character. I wonder if people decide how they see him because of the films.
Niina: I´v been thinking about this a lot. The films they tend to include the same scenes. Then there are those scenes that are being dismissed. Laurie he is idealised and romanticised. His flaws are downgrated and with Amy it is the opposite.
Emily: Which is why some people get angry when they get together. You are missing all that nice context. I think really Little Women needs a proper show. Not even just a mini-series. We need a show. Otherwise you don´t pick up on all these really great scenes that add dimensions to these characters. I really liked that exploration you did based on Goethe because I hadn´t really seen that characater that way before. More discussions like these need to happen.
Niina: I just love this. This is great.
Emily: I am having a lot of fun.
Niina: Next people who are going to adapt Little Women, have a good listen of these talks we are having.
Emily: I hope so. I really hope so.
Niina: Both me and Emily are definitely available to be consultans on these matters and we know people who can help you more.
Emily: Hollywood needs to head us up. That´s our discussion on Laurie and Amy also on different films as well. Of course we went on different tangions on different characters because all these things are connected. I hope you enjoyed our discussion of Laurie.
Niina: Thank you for listening guys.
Emily: Thank you.
sMALL UMBRELLA IN THE RAIN
Small Umbrella In The Rain is an on-going series of video essays, articles and podcast episodes that examines the different intersections in Louisa May Alcott´s Little Women.